Pierson Grey is a 20-year-old actor and artist based in Charlotte, NC, known for bringing vulnerable, dark, and complex young protagonists to life. With a foundation of professional training from Central Piedmont Theatre and the Mayflower Theatre in the UK, Pierson combines a unique blend of theatrical and cinematic expertise. His recent stage work includes performances in Gothic Ghost Stories as “Percy” and Twas as “Napoleon.” Beyond his on-camera experience, Pierson is also a dedicated voiceover artist, specializing in character-driven narration for audiobooks and commercials, particularly for children’s content. Passionate about exploring psychological themes, Pierson creates his own short films, blending experimental storytelling with a compelling, introspective edge.
LINKS
DEMO REEL
(2024) A horror that focuses on familial trauma and the dangers and privileges of toxic masculinity. Synopsis: A Boy (Pierson Grey) lives in a traumatising household as he lives in fear of his father, who turns into a vampiric monster by night. He feels his pre-destined fate more inescapable as the cycle to a full moon draws closer by the day.
"At Moonset" is a University of Reading Masters Film, and is in the process of submitting to short film festivals, such as Venice and Cannes Film Festivals.
"At Moonset" is a University of Reading Masters Film, and is in the process of submitting to short film festivals, such as Venice and Cannes Film Festivals.
In Central Piedmont Theatre’s production of The Room in the Tower by E.F. Benson, performed from September 25–30, Pierson Grey brought to life two pivotal characters, Percy and The Twin, in a chilling gothic tale of nightmares, foreboding, and the supernatural. Percy, a spectral figure trapped in eternal torment, symbolized the lingering dread tied to the protagonist’s recurring dreams, while The Twin embodied an unnerving duality, intensifying the story’s themes of unease and fractured reality. Through this production, Pierson mastered the nuances of stagecraft, delivering precise blocking and atmospheric presence to heighten tension, while performing physical stunts that brought eerie moments to life. Their expertise in stage makeup helped transform into these haunting roles, crafting visual elements that underscored the characters' spectral and unsettling natures. This experience also deepened Pierson’s collaborative abilities, working closely with the cast and crew to deliver a performance that captivated audiences and immersed them in the unsettling world of the play.
‘Paralysis’ (2024) is a very personal, surreal project I conceptualized, directed, filmed, edited, and starred in. 'Daniel Bradley' lives a troubled and isolated life surrounded by his past. Imprisoned in his mind and home, he’s plagued with anxiety and a fear of leaving. The opening scene sees Daniel practicing an encounter with another person, hoping to leave. Afterwards, he timidly walks a few feet outside only to retrace his steps seconds later. He recalls a recurring nightmare of his mother asking him to take out the trash; he complies, and the door to his apartment shuts, leaving him in a void of darkness. Frantically, he tries to find his home but never does. “I don’t think I ever made it home,” he says. As he dozes off, he begins to experience sleep paralysis, with his demon (Pierson Grey) climbing down onto him. Daniel, unable to move, opens his eyes and sees what his demon really is. He then finally leaves his home, worshiping the ground and sky in amazement.
Fleeting Encounters
Pierson Grey starred as Sergei Andrich, a reserved yet empathetic Ukrainian immigrant haunted by the shadows of his past and the uncertain future of his homeland, in a short film. After a passionate encounter, Sergei and Oliver, a young British student, embark on an unexpected conversation that delves into the complexities of identity, desire, and a future filled with uncertainty. Set against the backdrop of a shifting socio-political climate, the film was shot in April 2024 in London, UK.
In this laugh-out-loud short film, Pierson Grey delivers a standout performance in a story where nothing goes as planned. Two would-be criminals find themselves in over their heads after abducting the wrong hostage. With quick-thinking humor, escalating chaos, and an unexpected twist, Pierson’s comedic timing shines as he navigates the absurd antics and high-stakes hilarity. A fast-paced ride that proves sometimes, crime doesn’t pay—especially when you’re bad at it.
In this darkly comedic short film, three friends—Alex, Billy, and Chris—enter a quiet room after what seems to be a lively social gathering next door. Alex is visibly anxious, trying to focus on something important, but his two friends are caught up in an absurd argument about Billy’s improbable encounter with Richard Branson at a pub. The argument escalates until Alex slams a table down, revealing a gun. The atmosphere shifts from light-hearted bickering to tense uncertainty as the trio grapples with the strange, potentially dangerous discovery.
As they handle the gun, unsure whether it's real or even legal, they debate what to do next. The situation grows increasingly precarious as they realize they might be in possession of something that could put them in serious trouble. The friends consider their options, from simply returning the gun to its hiding place, to the possibility that someone might already know it's missing. The comedy comes from their bizarre, over-the-top responses to the danger, from Billy’s offer to play rock-paper-scissors to decide who’ll put the gun back, to Chris’s sarcastic remarks. The room’s tension is punctuated by the raucous energy from the gathering next door, a stark contrast to the absurd predicament they now find themselves in.
As they handle the gun, unsure whether it's real or even legal, they debate what to do next. The situation grows increasingly precarious as they realize they might be in possession of something that could put them in serious trouble. The friends consider their options, from simply returning the gun to its hiding place, to the possibility that someone might already know it's missing. The comedy comes from their bizarre, over-the-top responses to the danger, from Billy’s offer to play rock-paper-scissors to decide who’ll put the gun back, to Chris’s sarcastic remarks. The room’s tension is punctuated by the raucous energy from the gathering next door, a stark contrast to the absurd predicament they now find themselves in.
"Cycle 604" A Short film. Dreams are, at best, strange things. A quilt of chaos sewn together without rhyme or reason, or so it seems.They unravel in peculiar ways, obeying neither time nor space, and yet, somehow, they offer a glimpse into the deepest chambers of our mind. This film, a 17 minute window into the world of dreams, is not meant to be linear. It is, much like your sleep, an exploration of the unexpected-each fragment slipping into the next without a seamless transition, much like when you wake and try to piece together the scattered memories of your night's rest.Throughout this journey, brown noise is delicately woven into the fabric of each scene, designed to gently guide you through various stages of sleep-from the slow drift into Delta waves to the vivid imagery of REMInspired by the mind's mysterious patterns, this project reflects Carl Jung's notion of the collective unconscious, where the dream world offers symbols that carry meanings only we can untangle. There's no specific timeline, no recurring motif-each scene was crafted to reflect the erratic, beautiful nonsense of a dreamer's mind. And perhaps, when you awaken from this short cinematic journey, you'll find a new appreciation for the secrets dreams dare not tell so easily.
(2024) In this gripping animated short film, four friends find themselves drawn into a world of concrete and darkness as they search for their missing companion, James. The group’s journey leads them from the echoes of a city park to the foreboding depths of an abandoned sewer, where they confront mysteries that test their courage, friendships, and very sense of reality. Directed by Emir Anday
Pierson Grey brings life to Lucas, the quiet but steadfast heart of the group. Lucas stands apart with his introspective nature and calm demeanor, often serving as the mediator when emotions run high. Though reserved, he carries a quiet strength that emerges as the story unfolds, revealing a character who is deeply loyal and unafraid to take risks for the people he cares about. Through Pierson’s nuanced voice performance, Lucas’s inner journey resonates with audiences, grounding the film’s suspenseful narrative in genuine human emotion.
Into the Concrete Abyss is a visually striking and emotionally charged tale that showcases Pierson Grey’s ability to infuse animated characters with depth and authenticity.
Pierson Grey brings life to Lucas, the quiet but steadfast heart of the group. Lucas stands apart with his introspective nature and calm demeanor, often serving as the mediator when emotions run high. Though reserved, he carries a quiet strength that emerges as the story unfolds, revealing a character who is deeply loyal and unafraid to take risks for the people he cares about. Through Pierson’s nuanced voice performance, Lucas’s inner journey resonates with audiences, grounding the film’s suspenseful narrative in genuine human emotion.
Into the Concrete Abyss is a visually striking and emotionally charged tale that showcases Pierson Grey’s ability to infuse animated characters with depth and authenticity.
“Transfiguration” (Первоначальноисполнен Оливье де Сагазаном. Воссоздано PiersonGrey (2024) A performance art piece that explores identity, obscurity, and perception.
ARTWORK
TILL DEATH DO US PART -A VISUAl
An experimental short film I created. Heavily inspired by lost media footage and the ‘Max Headroom Incident’, I wanted to create something surreal— as if the news broadcast were not only being hijacked by an unknown force, but also the news anchor’s soul, leaving him lifeless and lost in the end.